> .... > .... B .... I .... O .... - .... S .... A .... U .... R .... < .... <
* P L E A S E E A S A U R *
already in the name Flashes the Unholy
nexus--between the relentlessness of Godzilla and Pleasure, Pure and Simple.
PLEASEEASAUR: an astonishing cybernetics in which pleasure bursts
Forth as sound from the connection between a boy and his machines.
Pleaseeasaur: electronically generated music that samples in equal
amounts surreal lunacy and pop orthodoxy, a sonic-heterogeneity that is
mundane only in contrast with the Saur himself.
A veteran of The Dorx, We're Not From Idaho, Touch Me Zoo, and
most recently, Small Craft Advisory, J.P. Hasson is the kind of musician who
dwells in music, never permitting a potential idea to escape. He can be
found at all times of the day, notepad in hand, recording impressions that
will be transformed into materials for Pleaseeasaur, then dispensed with
glee to pleasure-seekers of every ilk. For J.P., there can be no line of
"musical influences"; Pleaseeasaur is instead the very performance of
being influenced, indefinitely. Television, cultural events, conspiracy
theory, video games, from the periodic table to ethnic foods, anything
within his perceptual field--the field, after all, of pleasure--becomes
inspiration for the Saur's rapidly growing repertory of tunes. These songs
and pieces of songs will no doubt be acclaimed by critical forces interested in enumerating
and defending instances of the so-called postmodern, but as
emanations of the Saur,
their true habitat is the ears and mind of the
H ... E ... D ... O ... N ... I ... S ... T ... I ... C
L ... I ... S ... T ... E ... N ... E ... R ... .
To label this music would be to speak too hastily. It *IS*
P ... L ... E ... A ... S ... E ... E ... A ... S ... A ... U ... R ... .
Pleaseeasaur ©
johneecc
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